The Mexican Revolution probably affected Texas more than any other state. As the Revolution intensified, Texans responded with increased efforts to shape the Mexican policies of the Woodrow Wilson administration. Some became directly involved in the Revolution and the U.S. reaction to it, but most Texans sought to influence American policy toward Mexico through pressure on their political leaders in Austin and Washington. Based primarily on research in the private and public papers of leading state and national political figures, archival sources such as the Congressional Record and the Department of State's decimal file, major newspapers of the era, and respected works, this study details the successes and failures that Texans experienced in their endeavors to influence Wilson's Mexican policies.

This study examines the possible effect of the president's vote totals in states on Presidents Carter's and Reagan's support among senators. Using senators' Congressional Quarterly (CQ) presidential support scores as the dependent variable, this paper hypothesizes that Carter and Reagan's support is significantly and positively related to their electoral success in that Senator's state for the years 1977 through 1988. Several control variables are included to help explain support. There is qualified corroboration for the hypothesis that senator's presidential support scores are significantly and positively related to the president's electoral success for specific administrations and for specific-party senators, although not for the original hypothesis that aggregated the period 1977 to 1988.

Secret Schemes is a collection of four short stories and three chapters of a novel; all the stories are humorous and deal with young women and their struggles in romantic relationships.

The tragedie en musique of Quinault and Lully was a highly successful new genre, representative of contemporary Parisian life. However, it is still largely viewed in the negative terms of its detractors, the proponents of classical tragedy. The purpose of this study is to redefine the tragedie en musique in terms of seventeenth-century modernism. An examination of the society and poetry of the contemporary gallant world provides the historical framework for an analysis of both the libretto and music of Quinault and Lully's Atys (1676). This study attempts to bridge the historical and cultural distances that until now have hindered accessibility to this major new genre in seventeenth-century literature and music.