Degree Discipline

Month

Tennessee Williams as a Social Critic (open access)

Tennessee Williams as a Social Critic

The purpose of this study is to examine the social criticism of Williams by careful analysis of six of his full length plays: The Glass Menagerie, A Streetcar Named Desire, Camino Real, Cat on a Hot Tin Roof, Suddenly Last Summer, and The Night of the Iguana. After the analyses of the plays, the final chapter of this study will deal with the playwright's comments on specific aspects of the social order and will not be confined to the six major plays under consideration.
Date: May 1969
Creator: Peterson, Janet M.
System: The UNT Digital Library
Significant Parallels in the Heroes of John Dryden and Lord Byron (open access)

Significant Parallels in the Heroes of John Dryden and Lord Byron

This thesis includes a study of common historical and biographical elements in the lives of Dryden and Byron, a comparison of the literary principles and achievements of Dryden and Byron, a study of the concept of the hero, and a comparison of the heroes of Dryden and Byron.
Date: May 1969
Creator: Kennelly, Laura B.
System: The UNT Digital Library
Elements of the Byronic Hero in Captain Ahab (open access)

Elements of the Byronic Hero in Captain Ahab

This study of the elements of the Byronic hero in Herman Melville's Captain Ahab includes a look at the Byronic hero and Byron himself, the Byronic hero and the Gothic tradition, the Byronic hero and his "humanities," and the Byronic hero and Prometheus-Lucifer.
Date: May 1969
Creator: Howard, Ida Beth
System: The UNT Digital Library
The Conscience of Macbeth (open access)

The Conscience of Macbeth

Whatever are the other merits of Macbeth, it must be classed as one of the most penetrating studies of conscience in literature. Shakespeare does not attempt to describe in the drama how the ordinary criminal would react to evil, but how Shakespeare himself would have felt if he had fallen into crime. 1 The ramifications of this conflict between the conscience of a man of genius and the supernatural forces of wickedness, therefore, assume immense dimensions. "Macbeth leaves on most readers a profound impression of the misery of a guilty conscience and the retribution of crime . . . But what Shakespeare perhaps felt even more deeply, when he wrote this play, was the incalculability of evil--that in meddling with it human beings do they know not what."2 This drama displays an evil not to be accounted for simply in terms of the protagonist's will or his causal relationships to evil. It is an agency which is beyond the power of Macbeth's will; and his conscience, as powerful and imaginative as it is, can only warn him that he is involving himself in a force which will cause him unexpected and hideous mental pain. If there is a moral in …
Date: May 1963
Creator: Edwards, James A.
System: The UNT Digital Library
Alienation and Reconciliation in the Novels of John Steinbeck (open access)

Alienation and Reconciliation in the Novels of John Steinbeck

The purpose of this study is to show how, in a world with a system of values based on love, the characters in the novels of John Steinbeck are alienated and reconciled.
Date: May 1964
Creator: McDaniel, Barbara Albrecht
System: The UNT Digital Library