Shakespeare references humoral medical theory and social definitions of gender throughout much of his work. His references to medical practices like purging, the siphoning of excessive emotional fluids to bring the body into balance, are more than allusions to medical theories. Shakespeare's works unveil and challenge early modern approaches to emotional experience, most particularly when it comes to traumatic experiences that overwhelm comprehension. In Titus Andronicus (1592), The Rape of Lucrece (1593), Hamlet (1603), King Lear (1608), and Macbeth (1606), Shakespeare invokes humoral theory to articulate the early modern traumatic experience and to criticize the efficacy of purging in representations of trauma. For Shakespeare, the siphoning of destabilized emotions, through metaphorical and rhetorical practices, has dangerous consequences for bodies coded as feminine.