This study seeks to determine Roger Fry's position in the cultural and aesthetic dynamics of his era by examining Fry's critical writings and those of his predecessors, contemporaries, and successors. Based on Fry's published works, this thesis begins with a biographical survey, followed by a chronological examination of the evolution of Fry's aesthetics. Equally important are his stance as a champion of modern French art, his role as an art historian, and his opinions regarding British art. The fifth chapter analyzes the relationship between Fry's Puritan background and his basic attitudes. Emphasis is given to his aesthetic, social, and cultural commentaries which indicate that Fry reflected and participated in the artistic, philosophical, and social ferment of his age and thereby contributed to the alteration of British taste.

Papers, memoirs, diaries, letters and autobiographies from 1791-1807 are studied to determine the relationship between Jefferson and Burr. A limited examination of congressional records for the same period was made. Monographs and biographies of Jefferson, Burr and their contemporaries were studied. This study shows that the relationship between Jefferson and Burr was one of political expediency and that Jefferson's antipathy toward Burr began in 1791 and not as a result of the House presidential election of 1801. The thesis concludes that Jefferson used Burr's political influence in New England to achieve Democratic -Republican control of the federal government and then used the alleged conspiracy between Burr and the Federalists during the House election of 1801 as an excuse to begin Burr's political destruction.

The purpose of this thesis is to examine Franklin D. Roosevelt's role as an anti-colonialist and his plan for a post-war world. Roosevelt believed that colonialism was the cause of hatred, discontent and war. With this in mind, he pursued an anti-colonial policy against the British and French empires, to him, the mainstay of colonial power.