A longitudinal content analysis of top-chart hip-hop songs’ lyrics produced between 1980 and 2013 was conducted to investigate the degree and progression of the paradoxical juxtaposition, or postmodern hybridity, of oppositional modernist identities in terms of race/ethnicity, gender, sexual orientation, sexuality, and economic lifestyle, in addition to the longitudinal diversification of artist’s race and gender demographics. Demographically, the percentage of non-African-American artists increased as the percentage of African-American artists decreased. Additionally, the percentage of songs featuring either all male or all female artists decreased, while the percentage of collaboration between male and female artists increased over time. Although hybrid oppositional identities related to race/ethnicity and gender did not increase over time, those of sexual orientation, sexuality, and economic lifestyle increased over time. In addition, materialist identities were related to the hybridity of sexual orientation and sexuality, but not to that of gender and race/ethnicity. Overall, the research found increasing postmodern hybridity within the sexualization of hip-hop songs along with intensified materialism.

A popular belief in the exploding Pentecostal movement in the global South is the idea that if an individual has enough faith, God will bless them with financial prosperity. Although historically Pentecostalism has been identified as a religion of the poor, this study examines recent arguments that the current Pentecostal movement in Guatemala is a religion of the socially mobile middle and elite classes. Data from the Pew Forum on Religious and Public Life’s 2006 survey Spirit and Power: Survey of Pentecostals in Guatemala is used to conduct a logistic regression, in order to measure the effects of socioeconomic status on adherence to prosperity belief. Results suggest that, contrary to the current literature on Guatemalan Pentecostalism, prosperity belief is not necessarily concentrated among the upwardly mobile middle and upper classes, but rather is widely diffused across social strata, and in particular, among those that have lower levels of education. These findings have implications for the study of Pentecostalism in Guatemala and in the global South in general.

This study explores intersections between performance, race and masculinity within a variety of expressive cultural contexts during and after the African American Civil Rights Movement. I maintain that the work of James Baldwin is best situated to help us navigate this cross section, as his fiction and cultural criticism focus heavily on the stage in all its incarnations as a space for negotiating the possibilities and limits of expressive culture in combating harmful racial narratives imposed upon black men in America. My thesis begins with a close reading of the performers populating his story collection Going to Meet the Man (1965) before broadening my scope in the following chapters to include analyses of the diametric masculinities in the world of professional boxing and the black roots of the American punk movement. Engaging with theorists like Judith Butler, bell hooks and Paul Gilroy, Underground Men attempts to put these seemingly disparate corners of American life into a dynamic conversation that broadens our understanding through a novel application of critical race, gender and performance theories. Baldwin and his orbiting criticism remain the hub of my investigation throughout, and I use his template of black genius performance outlined in works like Tell Me …

In 1829, Passion settings entered the secular concert hall with Felix Mendelssohn’s revival of Bach’s St. Matthew Passion in Berlin. The genre has fallen in and out of favor with composers because of the subject matter and Bach’s prominence in the setting. James MacMillan’s St. John Passion has established itself as one of the preeminent modern passion settings by manipulating past idioms such as chant, chorales, and other popular passion conventions in concert with his use of Celtic folk idioms. He creates a passion experience that strives for a spiritually Catholic influence. This approach has earned praise and harsh criticism. MacMillan’s unique use of keening and the drone offers a uniquely Scottish passion that allows for Jesus’ crucifixion to be more poignant to the intended initial audience. In addition to his use of Celtic folk idioms, MacMillan uses added text; most central to this paper is The Reproaches. Movement eight (The Reproaches) is the emotional and musical climax of the work. This inclusion of text has shifted the climax, namely Jesus’s death and burial, to moments before his death. In addition, the value of the work as a liturgical work is lost by the inclusion of these texts, but a …

This research seeks to explore the behavior of international and regional organizations within conflict management. Previous research on conflict management primarily examines UN peacekeeping as the primary actor and lumps all non-UN actors into a single category. I disaggregate this category, examining how international and regional organizations interact when deciding to establish a peace mission, coordinate a peace mission with multiple organizations, and finally, how this interaction affects the success of peace missions. I propose a collective action theoretical framework in which organizations would rather another actor undertake the burden and costs of implementing a peace mission. I find the United Nations is motivated to overcome the collective action problem through an increase in the severity of the conflict. Regional organizations are motivated to establish a peace mission as the economic and political salience of the conflict increases, increasing the possibility of the regional organization acquiring club goods for its member states. The presence of a regional hegemon within a regional organization also significantly increases the likelihood of an organization both establishing a peace mission and taking on the primary role when coordinating a joint mission. I argue this is because a regional hegemon allows the organization to more easily …

This study used a critical discourse analysis (CDA) to examine the Texas Essential Knowledge and Skills for government. These are the learning standards that public schools are required to use as the curriculum in Texas. Additionally, the study critically examined the Texas State Board of Education meeting minutes from the spring of 2010, when the board revised all social studies TEKS. James Gee’s framework for conducting CDA was used to analyze the government TEKS and meeting minutes to uncover the ways in which the language in the documents defines democratic and citizenship education in Texas, determine if the language creates an imbalance of power among participants in education, and do these documents agree with educational philosophers’ construct of citizenship and democratic education? The results of the CDA concluded that the Texas learning standards, and the words of many SBOE members reveal a preference toward right-wing, conservative beliefs. The construct of citizenship and democratic education created by the Texas government TEKS and SBOE meeting minutes contradicts these notions, as defined by educational theorists, and excludes those participants who do not embrace these beliefs.

The influence of Mohandas K. Gandhi on social and environmental movements in post-colonial India has been widely acknowledged. Yet, the contributions of two European associates of Gandhi, Madeleine Slade and Catherine Mary Heilemann, better known in India as Mira Behn and Sarala Behn, have not received the due attention of the academic community. This dissertation is an examination of the philosophy and social activism of Mira Behn and Sarala Behn and their roles in the evolution of Gandhian philosophy of socioeconomic reconstruction and environmental conservation in the present Indian state of Uttarakhand. Instead of just being acolytes of Gandhi, I argue that these women developed ideas and practices that drew upon from an extensive intellectual terrain that cannot be limited to Gandhi’s work. I delineate the directions in which Gandhian thought and experiments in rural development work evolved through the lives, activism, and written contributions of these two women. Particularly, I examine their influence on social and environmental movements, such as the Chipko and the Anti-Tehri Dam movements, and their roles in promoting grassroots social development and environmental sustainability in the mountain communities of Uttarakhand. Mira Behn and Sarala Behn’s integrative philosophical worldviews present epistemological, sociopolitical, ethical, and metaphysical principles …