Of the large amount of writings concerning the Civil War only a small percentage pertains to the Federal Navy's role. This is understandable since this was primarily a land war. A few of the Navy's exploits such as the capture of New Orleans, the sinking of the Alabama, the capture of the Florida in Brazilian waters, and the Trent affair received great amounts of publicity, but the majority of the naval activities were of a routine nature, each individually warranting little notice but collectively contributing immensely to the final Federal victory. The purpose of this paper is to show in detail the role of only a portion of the Navy, the West Gulf Blockading Squadron, during this struggle.

This thesis is a study of the Confederate command problem in the Trans-Mississippi West, 1861-1862.

In this study, the Anton Webern's music is considered in two groups: that which was written before Webern adopted the twelve-tone technique, Opp 1-16, and that written in the twelve-tone technique, Opp. 17-31. This division is not intended to represent an attempt at periodization of Webern's music, for the changes of style in Op. 17 are not that significant. But the fact that Webern employed the twelve-tone technique in all the works he wrote after Op. 16 makes this a natural point of division for a study of this sort. Besides the music of Webern, two peripheral areas are included in this study. No attempt has been made at an exhaustive biography of Webern, but facts relative to his life, and impressions about the person are presented. Also, to create a proper perspective for the study of Webern's which existed during the time that Webern lived and composed, is presented.