The use of arguments containing increasingly technical materials has grown significantly in the recent years. Specifically, arguments that are used to justify military expenditures or to allege violations of international agreements are becoming more sophisticated. This study examines the dissemination and use of technical argument in claims made by the United States government that the Soviet Union violated chemical and biological treaties in Southeast Asia and Afghanistan. This study employs the Jowett-O'Donnell method for analyzing propaganda to determine the extent and effectiveness of the government's claims. The study concludes that propaganda was used extensively by the government in order to justify new weapons programs and that the propaganda campaign was effective because of the technological orientation of its claims.

This study seeks to show that a tradition exists of personal journalists who, more than supporting a partisan position, have moral concern and desire reconciliation. Between the First World War and the Hutchins Commission report of 1947, Walter Lippmann and other media critics theorized that journalistic objectivity is impossible, but recognized journalists' responsibility to interpret events to their publics. In the 1930s these new theories coincided with historical events to encourage journalists' personal involvement with their subjects. The work of the best personal journalists, for example, George Orwell and James Agee, resulted from moral concern. This tradition is furthered today in the journalism of Bill Moyers.

Reacting to the Great Depression, Texans abandoned the philosophy of rugged individualism and turned to their state and federal governments for leadership. Texas's Governor Miriam Ferguson resultantly created the state's first relief agency, which administered all programs including those federally funded. Because the Roosevelt administration ordered state participation in and immediate implementation of the CCC, a multi-governmental, multi-departmental administrative alliance involving state and federal efforts resulted, which, because of scholars' preferences for research at the federal level, often is mistakenly described as a decentralized administration riddled with bureaucratic shortcomings. CCC operations within Texas, however, revealed that this complicated administrative structure embodied the reasons for the CCC's well-documented success.

This study investigates the liturgical attire of the Church of England from the seventeenth through the nineteenth century, by studying the major Anglican vestments, observing modifications and omissions in the garments and their uses, and researching the reasons for any changes. Using the various Anglican Prayer Books and the monarchial time periods as a guide, the progressive usages and styles of English liturgical attire are traced chronologically within the political, social and religious environments of each era. By examining extant originals in England, artistic representations, and ancient documentation, this thesis presents the religious symbolism, as well as the artistic and historical importance, of vestments within the Church of England from its foundation to the twentieth century.

The primary purpose of this study is to demonstrate that the most consistent themes in the selected novels are love and happiness. The novels are: Bonjour tristesse, 1954; Un certain sourire, 1956; La chamade, 1965; Les merveilleux nuages, 1961; Un profil perdu, 1974; Aimez-vous Brahms, 1959; Le garde du coeur, 1968; and De guerre lasse, 1985. Sagan challanges her heroines, and her readers, to find happiness. Each of the heroines handles the individual search for love and happiness in her own specific way. Throughout the novels, love represents pain and suffering as Sagan describes the emptiness of life in modern society. Her works show the futility of love in a world preoccupied by superficial things.