This thesis is a comparative study of Juvenal and Lord Byron, with emphasis on the particularly kindred aspects of the poets' works.

This thesis will concern itself with the development of the religious thought of Eliot as it is expressed in his poetry and plays.

The elegies, as a major body of John Donne's poetry, have been unjustly slighted by critics. In order to correct this imbalance in Donne criticism, this study will examine the whole body of Donne's formal elegies. Despite their diversity, it will be shown that they fall into several broad groupings based on tonal quality and elegiac type: complaintive, lamentive, amatory, and abusive and satiric. By examining Donne's elegies individually and in light of both the Elizabethan and the classical elegy, it will be seen that Donne is the only English poet who utilizes the full scope allowed by the classical elegy.

The purpose of this thesis is to make an unbiased presentation of the many facets of Byron's religious beliefs.

It is the purpose of this thesis to examine the classical allusion in Donne's secular poetry to show that the body of such allusion is more extensive than is generally conceded. More important, this study will evaluate rather than merely catalogue the allusions in order to show ho Donne employs such allusion and in what way his poetic practice as to the employment of classical allusion is different from the practice of his contemporaries. It will be demonstrated that, with very few exceptions, Donne uses the standard myth or allusion as a foundation or departure point from which he then goes on to synthesize the myth and turn it into poetic material that is of special significance to his theme.