The military career of General James Monroe Williams spanned both the Civil War and the Indian Wars in the West, yet no biography has been published to date on his important accomplishments, until now. From his birth on the northern frontier, westward movement in the Great Migration, rush into the violence of antebellum Kansas Territory, Civil War commands in the Trans-Mississippi, and as a cavalry officer in the Indian Wars, Williams was involved in key moments of American history. Like many who make a difference, Williams was a leader of strong convictions, sometimes impatient with heavy-handed and sluggish authority. Building upon his political opinions and experience as a Jayhawker, Williams raised and commanded the ground-breaking 1st Kansas Colored Volunteer Infantry Regiment in 1862. His new regiment of black soldiers was the first such organization to engage Confederate troops, and the first to win. He enjoyed victories in Missouri, Indian Territory (Oklahoma), and Arkansas, but also fought in the abortive Red River Campaign and endured defeat and the massacre of his captured black troops at Poison Spring. In 1865, as a brigadier general, Williams led his troops in consolidating control of northern Arkansas. Williams played a key role in taking Indian …

The AEF in Print is an anthology that tells the story of U.S. involvement in World War I through newspaper and magazine articles—precisely how the American public experienced the Great War. From April 1917 to November 1918, Americans followed the war in their local newspapers and popular magazines. The book’s chapters are organized chronologically: Mobilization, Arrival in Europe, Learning to Fight, American Firsts, Battles, and the Armistice. Also included are topical chapters, such as At Sea, In the Air, In the Trenches, Wounded Warriors, and Heroes. “Some of these stories are real gems. Irving Cobb’s account of the sinking of the SS Tuscania, for example, is absolutely riveting, and the same can be said of William Shepherd’s description of life aboard US Navy destroyers in the Atlantic, Floyd Gibbons’s narration of his wounding at Belleau Wood, and George Pattullo’s roll-out of the Sergeant York legend.” —Steven Trout, author of On the Battlefield of Memory: The First World War and American Remembrance. “The well-written and evocative articles bring the war to life.” —Jennifer Keene, author of Doughboys, the Great War, and the Remaking of America.

In early February of 1968, at the beginning of the Tet Offensive, Private First Class Gregory V. Short arrived in Vietnam as an eighteen-year-old U.S. Marine. Amid all of the confusion and destruction, he began his tour of duty as an 81mm mortarman with the 2nd Battalion, 1st Marine Regiment, which was stationed at Con Thien near the DMZ. While living in horrendous conditions reminiscent of the trenches in World War I, his unit was cut off and constantly being bombarded by the North Vietnamese heavy artillery, rockets, and mortars. Soon thereafter Short left his mortar crew and became an 81mm’s Forward Observer for Hotel Company. Working with the U.S. Army’s 1st Air Cavalry Division and other units, he helped relieve the siege at Khe Sanh by reopening Route 9. Short participated in several different operations close to the Laotian border, where contact with the enemy was often heavy and always chaotic. On May 19, Ho Chi Minh’s birthday, the NVA attempted to overrun the combat base in the early morning hours. Tragically, during a two-month period, one of the companies (Foxtrot Company) within his battalion would sustain more than 70 percent casualties. By September Short was transferred to the …

Historical account of musicians in Texas, grouped by region, describing "underappreciated" artists as well as some famous artists. Each chapter provides anecdotes and biographical information about an artist or musical group. Index starts on page 299.

When Army psychiatrist Nidal Hasan walked into the Fort Hood Soldier Readiness Processing Center and opened fire on soldiers within, he perpetrated the worst mass shooting on a United States military base in our country’s history. Death on Base is an in-depth look at the events surrounding the tragic mass murder that took place on November 5, 2009, and an investigation into the causes and influences that factored into the attack. The story begins with Hasan's early life in Virginia, continues with his time at Fort Hood, Texas, covers the events of the shooting, and concludes with his trial. The authors analyze Hasan's connections to radical Muslim cleric Anwar al-Awlaki and Al Qaeda in the Arabian Peninsula (AQAP) and demonstrate how radical Islam fueled Hasan’s hatred of both the American military and the soldiers he treated. Hasan's mass shooting is compared with others, such as George Hennard's shooting rampage at Luby's in Killeen in 1991, Charles Whitman at the University of Texas, and Virginia Tech shooter Seung-Hui Cho. The authors explore the strange paradox that the shooting at Fort Hood was classified as workplace violence rather than a terrorist act. This classification has major implications for the victims of the …

Graham Barnett was killed in Rankin, Texas, on December 6, 1931. His death brought an end to a storied career, but not an end to the legends that claimed he was a gunman, a hired pistolero on both sides of the border, a Texas Ranger known for questionable shootings in Company B under Captain Fox, a deputy sheriff, a bootlegger, and a possible “fixer” for both law enforcement and outlaw organizations. In real life he was a good cowboy, who provided for his family the best way he could, and who did so by slipping seamlessly between the law enforcement community and the world of illegal liquor traffickers. Stories say he killed unnumbered men on the border, but he stood trial only twice and was acquitted both times. Barnett lived in the twentieth century but carried with him many of the attitudes of old frontier Texas. Among those beliefs was that if there were problems, a man dealt with them directly and forcefully—with a gun. His penchant to settle a score with gunplay brought him into confrontation with Sheriff W. C. Fowler, a former friend, who shot Barnett with the latter’s own submachine gun on loan. One contemporary summed it …

The Texas-Mexico border is trouble. Haphazardly splashing across the meandering Rio Grande into Mexico is—or at least can be—risky business, hazardous to one’s health and well-being. Kirby W. Dendy, the Chief of Texas Rangers, corroborates the sobering reality: “As their predecessors for over one hundred forty years before them did, today’s Texas Rangers continue to battle violence and transnational criminals along the Texas-Mexico border.” In Riding Lucifer’s Line, Bob Alexander, in his characteristic storytelling style, surveys the personal tragedies of twenty-five Texas Rangers who made the ultimate sacrifice as they scouted and enforced laws throughout borderland counties adjacent to the Rio Grande. The timeframe commences in 1874 with formation of the Frontier Battalion, which is when the Texas Rangers were actually institutionalized as a law enforcing entity, and concludes with the last known Texas Ranger death along the border in 1921. Alexander also discusses the transition of the Rangers in two introductory sections: “The Frontier Battalion Era, 1874-1901” and “The Ranger Force Era, 1901-1935,” wherein he follows Texas Rangers moving from an epochal narrative of the Old West to more modern, technological times. Written absent a preprogrammed agenda, Riding Lucifer’s Line is legitimate history. Adhering to facts, the author is …

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.