“Remember, boys, nothing on God's earth must stop the United States mail!” said John Butterfield to his drivers. Short as the life of the Southern Overland Mail turned out to be (1858 to 1861), the saga of the Butterfield Trail remains a high point in the westward movement. A. C. Greene offers a history and guide to retrace that historic and romantic Trail, which stretches 2800 miles from the Mississippi River to the Pacific coast. “A fine mix of past and present to appeal to scholar and lay reader alike.”—Robert M. Utley, author of The Lance and the Shield: The Life and Times of Sitting Bull

Donald Vogel arrived in Dallas at the beginning of World War II after a sojourn at the Art Institute of Chicago. “The feeling of space, its clear clean atmosphere, the calm courtesy of the people and promises of growth all gave hope to a young, would-be painter. What I could not have anticipated was that there would be no gentle growth: it exploded in every direction and the money followed.” Along with the wealth came East Coast art dealers who followed the oil field trails throughout Oklahoma and Texas. They brought dubious art and fake old masters, but the same growth that attracted disreputable dealers also made it possible for Vogel to be part of bringing fine works of art to Dallas, first at the Betty McLean Gallery and later at his own Valley House Gallery. In the words of Dechard Turner, “The Gallery opened the doors to the highest levels of sophistication in art. Not all entered, but the triumph of the Vogel story is that many did!” Already established as a painter, Vogel soon became the outlet in Dallas of art dealers in the United States and Europe. He has been an important part of the Dallas art …