World War II represented a watershed event in the history of the United States and affected political, economic, and social systems at all levels. In particular, the war unleashed forces that caused rapid industrialization, immigration, and urbanization in two regions, the South and the West. This study examines one community's place in that experience as those forces forever altered the city of Fort Worth, Texas. Prior to World War II, Fort Worth's economy revolved around cattle, food-processing, and oil, industries that depended largely on an unskilled labor force. The Fort Worth Stockyards laid claim to the single largest workforce in the city, while manufacturing lagged far behind. After an aggressive campaign waged by city civic and business leaders, Fort Worth acquired a Consolidated Aircraft Corporation assembly plant in early 1941. The presence of that facility initiated an economic transformation that resulted in a major shift away from agriculture and toward manufacturing, particularly the aviation industry. The Consolidated plant sparked industrial development, triggered an influx of newcomers, trained a skilled workforce, and stimulated an economic recovery that lifted the city out of the Depression-era doldrums. When hostilities ended and the United States entered the Cold War period, Consolidated and the adjacent …

Kurt Vonnegut's early science fiction novels depict societies and characters that, as in the real world, have become callous and downtrodden. These works use supercomputers, aliens, and space travel, often in a comical manner, to demonstrate that the future, unless people change their concepts of humanity, will not be the paradise of advanced technology and human harmony that some may expect. In fact, Vonnegut suggests that the human condition may gradually worsen if people continue to look further and further into the universe for happiness and purpose. To Vonnegut, the key to happiness is dignity, and this key is to be found within ourselves, not without.

This thesis is an examination of "paranoid conspiracy" films, a film noir subgenre that emerged in mainstream American cinema in the early 1970s and turns on vast, shadowy conspiracies located within U.S. "power structures" (government agencies, the military, the media) and directed against the American public. Specifically, it focuses on the emergence of these films in the 1970s, their almost complete disappearance during the Reagan presidency, and subsequent reemergence in the early 1990s. Placing representative texts in the context of U.S. political and social reality of the last three decades, it analyzes the relationship between the conspiracy theory genre, the "crisis of confidence" in the American society, and the process of formation of American national identity.

As one of the most remarkable of the Scottish Covenanters, George Gillespie had a reputation in England and Scotland as an orthodox Puritan theologian and apologist for Scottish Presbyterianism. He was well known for his controversial works attacking the ceremonies of the Church of England, defending Presbyterianism, opposing religious toleration, and combating Erastianism. He is best remembered as one of the Scottish Commissioners to the Westminster Assembly in London, which sought to reform the English Church and establish a uniform religion for the two kingdoms. This study assesses his life, ideas, and legacy. In Gillespie's estimation revelation and reason played complementary roles in the Christian life. While the Fall had affected man's reasoning abilities, man could rely upon natural law and scholarship as long as one kept them within the limits of God's truth revealed in Scripture. Moreover, he insisted that the church structure its worship ceremonies, government, and discipline according to the pattern set forth in the Bible. In addition, he emphasized the central role of God's Word and the sacraments in the worship of God and stressed the importance of cultivating personal piety. At the heart of Gillespie's political thought lay the Melvillian theory of the two kingdoms, …

This dissertation examines the political writings and speeches of Baldur von Schirach, a leading figure of the National Socialist German Worker's Party, and the means by which he chose to transmit his beliefs in totalitarianism, racism, and militarism. Schirach's activities serve as a case study of the Third Reich's artistic and cultural programs and the means by which these programs served as conduits for propaganda and public education. Throughout his career as the leader of the National Socialist Student's League, Reich Youth Leader, and Gauleiter of Vienna, Schirach promulgated a political theory which interpreted the rise of the Third Reich as an expression of an innately superior German culture. He put this theory forth through the use of artistic means, including his own poetry and prose, and theoretical exegeses of artistic and literary works that explained them within a fascist, totalitarian idiom. The dissertation discusses Schirach's personal adherence to Nazism and its roots; the ways in which he interpreted fascist philosophical tenets, symbols, messages, and archetypes; his concepts of youth and adult education; his attempts to mold the artistic community of Vienna into an aesthetically progressive, yet politically coherent, means of propaganda; and his role in the destruction of the …

Nineteenth-century British fiction is often dismissed as necrophillic or obsessed with death. While the label of necrophilia is an apt description of the fetishistic representations of dead women prevalent at the end of the century, it is too narrow to fit literature produced earlier in the century. This is not to say that abnormal attitudes toward death are only a feature of the late nineteenth century. In fact, pathological attitudes toward death abound in the literature, but the relationship between the deceased and the survivor is not always sexual in nature. Rather, there is a clear shift in attitudes, from the chaste death fantasy, or attraction to the idea of death, prevalent in Gothic works, to the destructive, stagnant mourning visible in mid-century texts, and culminating in the perverse sexualization of dead women at the turn of the century. This literary shift is most likely attributable to the concurrent changes in attitudes toward sex and death. As sex became more acceptable, more public, via the channels of scientific discourse, death became a less acceptable idea. This “denial of death” is a direct reaction to the religious uncertainties brought about by industrialization. As scientists and industrialists uncovered increasing evidence against a …

Divine and the Everyday Devil contains a scholarly preface that discusses the experiences and literary works that influenced the author's writing with special attention in regards to spirituality and sexuality. The preface is followed by six original short stories. "Evil" is a work addressing a modern conception of evil. "Eschatology" concerns a man facing his own mortality. "The Gospel of Peter" tells the story of a husband grappling with his wife's religious beliefs. "The Mechanics of Projects" relates the experiences of a woman looking for love in Mexico. "The Rocky Normal Show" involves a husband growing apart from his wife and "Mutant: An Origin Story" is about a teenager trying to find his own unique identity.