Photograph of a framed poster from the Denton Women’s Interracial Fellowship, of photographs of Denton housing. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined several oral histories, interview transcripts, photographs, and stories about the group held by the Special Collections Department.

Photograph of a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of Moon Goddess by Victoria Lisi, held by UNT Special Collections. The illustration is of a blond wavy haired woman in the middle of stars in the sky, a moon at the bottom of the page. The illustration is in a frame. Victoria (Poyser) Lisi (1949-) is a prolific artist and illustrator for science fiction and fantasy publications. After receiving her BFA from Evergreen State College, she began submitting art to sci-fi magazines for publication, and eventually won two Hugo Awards for Best Fan Artist in 1981 and 1982. Her first published artworks appeared in issues of the sci-fi magazines Galaxy and Weirdbook in 1978, while her first book cover was for Piers Anthony’s Double Exposure published in 1982. After marrying artist Julius Lisi in 1987, she began working more on collaborations with him, and changed her focus from cover art to illustrating children’s books and creating fine art.

Photograph of a framed poster with photograph of Denton homes and a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. On this shelf, is a list of houses in south Denton that were photographed by Trudy Foster for the street paving project. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. On this shelf, are graphs created by DWIF about the percentage of homeowners, stating that the majority needs to be in favor of the road paving. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. On this shelf, is an oral history transcript with DWIF member Trudy Foster, interviewed by Mary Lohr. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. On this shelf, is the newspaper clipping from the Denton Record Chronicle from 1994, titled "United they stood: How one group of women beat prejudice." Also on display is The Good Neighbor pledge card, asking the community to develop commitment to diversity. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of original artwork for the cover of "Shadowkeep" by Alan Dean Foster, held by UNT Special Collections. The illustration is of a man with blonde hair and a red cape running up the stair in a corridor while holding a sword, turning to look back behind him. Victoria (Poyser) Lisi (1949-) is a prolific artist and illustrator for science fiction and fantasy publications. After receiving her BFA from Evergreen State College, she began submitting art to sci-fi magazines for publication, and eventually won two Hugo Awards for Best Fan Artist in 1981 and 1982. Her first published artworks appeared in issues of the sci-fi magazines Galaxy and Weirdbook in 1978, while her first book cover was for Piers Anthony’s Double Exposure published in 1982. After marrying artist Julius Lisi in 1987, she began working more on collaborations with him, and changed her focus from cover art to illustrating children’s books and creating fine art.

Photograph of a display case filled with oral history interview transcripts, photographs, stories from the archived North Texas Daily newspapers, a street survey of southeast Denton book, and other texts from the Denton Women’s Interracial Fellowship held by the Special Collections. On this shelf, are oral history transcripts with DWIF members Catherine Bell and Euline Brock interviewed by Richard Byrd. The Denton Women’s Interracial Fellowship, was a group of white and black Denton women who came together in 1964 to ask questions about how to work together across different races and to take on projects related to infrastructure and housing. The survey of this student project was conducted by Liane Malinowski's English class, where students examined these materials.

Photograph of the 1988 time capsule that was buried in front of the Hurley Administration Building. It had been assembled to commemorate the occasion of the seventh name change for the university. The name was changed to the University of North Texas from North Texas State University. It was buried alongside the 1962 time capsule, which documented the first year the school was a university.

Photograph of Associate Processing Archivist Sam Ivie in the University of North Texas Special Collections Processing Room on the fourth floor of the Willis Library. He is moving archival boxes in the storage area of Special Collections.

Photograph of a portrait of Judge Sarah T. Hughes done by Dorothy Barta, held by UNT Special Collections. The portrait is a painting of a woman with short cropped hair wearing a black judges robe and two pearl necklaces, while sitting on a red chair, her arm propped on the chairs arm and her hands propped on a book. Judge Sarah T. Hughes (1896-1985) is best known for swearing in Lyndon B. Johnson, to the U.S. presidency after John F. Kennedy’s assassination in 1963. She began her career as a lawyer in Dallas, when she joined her first firm in 1923. During that time she served three terms in the Texas House of Representatives, as one of the first females elected after women’s suffrage. In 1935, Hughes was appointed the first female district judge in Texas, and was elected seven times after her initial appointment. In 1961, after being denied nomination to a federal judgeship because of her age, sixty-five, Hughes called on the Texas Federation of Business and Professional Women’s Club to take on a letter-writing campaign in support of her candidacy, which led to President John F. Kennedy appointing her later that year. Among her most notable decisions …

Photograph of Sarah T. Hughes' personal chair, held by UNT Special Collections. The chair is velvet red with a brown wooden base. Judge Sarah T. Hughes (1896-1985) is best known for swearing in Lyndon B. Johnson, to the U.S. presidency after John F. Kennedy’s assassination in 1963. She began her career as a lawyer in Dallas, when she joined her first firm in 1923. During that time she served three terms in the Texas House of Representatives, as one of the first females elected after women’s suffrage. In 1935, Hughes was appointed the first female district judge in Texas, and was elected seven times after her initial appointment. In 1961, after being denied nomination to a federal judgeship because of her age, sixty-five, Hughes called on the Texas Federation of Business and Professional Women’s Club to take on a letter-writing campaign in support of her candidacy, which led to President John F. Kennedy appointing her later that year. Among her most notable decisions as a federal judge were Roe v. Wade, 1970 (the legalization of abortion in the United States), Shultz v. Brookhaven General Hospital, 1969 (equal pay for equal work for women), and Taylor v. Sterrett, 1972 (upgrading prisoner …

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit. This display, behind glass, has black and white photographs of UNT alumnus Victor Rodríguez running on a track field.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit, including photographs, awards and medals that belonged to Victor Rodríguez, an alumnus of UNT.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit on UNT alumnus Victor Rodríguez. The photographs are of Rodríguez and many people throughout his life as he made lifetime achievements.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit about UNT alumnus Victor Rodriguez. The framed shadow box in the center of the image houses Rodriguez's letterman jacket.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit on UNT alumnus Victor Rodríguez. The photographs are of Rodríguez and many people throughout his life as he made lifetime achievements.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit about UNT alumnus Victor Rodríguez. The display houses lifetime achievements of Rodriguez, including photographs of him.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit about UNT alumnus Victor Rodríguez. The display case houses photographs and clippings from Rodríguez's younger years as a track athlete.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit about UNT alumnus Victor Rodríguez. The display case houses photographs and clippings from Rodríguez's younger years as a track athlete.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit about UNT alumnus Victor Rodríguez. The display houses lifetime achievements of Rodriguez, including photographs of him. The center photograph is of Rodríguez running in his track uniform.

Photograph of a portion of the "La Carrera de la Vida: The Run of Life" exhibit of Victor Rodríguez, an alumnus of UNT. In a display box on silk are photograph clippings from Rodriguez's younger years. The photographs show young males in the sports department participating in basketball and track.