Podcast from the University of North Texas Music Library highlighting materials from their collections. This episode chronicles the formation of the Moonmaids vocal ensemble as the Swingtet at what was then North Texas State Teachers College, and their rise to national fame in the late 1940s with big band leader Vaughn Monroe and his orchestra. The podcast includes selections featuring the singers on WFAA radio in Dallas, at the former Camp Howze in Gainesville, TX, and live from Denton with Vaughn Monroe in 1949.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes a performance of Weber's Overture to Euryanthe and features Toscanini: The Metropolitan Years, Part I, about Toscanini's time at The Metropolitan Opera.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes a performance of Ponchielli's Dance of the Hours from La Gioconda and features Toscanini: The Metropolitan Years, Part II, about Toscanini's time at the Metropolitan Opera.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes rehearsal and performance of Debussy's La Mer.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes rehearsal and performance of Berlioz's Queen Mab Scherzo, Beethoven's Egmont Overture and features an interview with composer and conductor Rudolph Ganz.

This recording is a part of the radio series “Toscanini: Centennial Series,” which was a tribute to conductor Arturo Toscanini on the hundredth anniversary of his birth, and was a subset of the radio series "Toscanini: The Man Behind the Legend". The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of the Overture to La Forza del Destino by Guiseppi Verdi, and Symphony No. 9 by Ludvig van Beethoven.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment features Toscanini: The Years in Between.

This presentation describes the use of The Portal to Texas History in the classroom through a lesson plan creating a journey through Spanish Missions in Texas.

Recital presented at the UNT College of Music Organ Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture recital presented at Room 317, Music Building, Texas Woman's University, Denton, Texas in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Weber's Overture to Oberon and Strauss's Don Juan.

This recording is a part of the radio series “Toscanini: Centennial Series,” which was a tribute to conductor Arturo Toscanini on the hundredth anniversary of his birth, and was a subset of the radio series "Toscanini: The Man Behind the Legend". The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Finlandia, Symphony No. 2 by Jean Sibelius.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Cimarosa's Overture to The Secret Marriage and Wagner's Good Friday Music from Parsifal, and features an interview with Dr. Harry Gross.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Cherubini's Anacreon Overture, Symphony in D Major, and an interview with William McDaniel.

This recording is a part of the radio series “Toscanini: The Man Behind the Legend,” which was a tribute to conductor Arturo Toscanini. The broadcasts consist of music performed by the NBC Orchestra as well as interviews with composers, conductors, orchestra members, and other people associated with Toscanini. This segment includes performances of Cimarosa's Il matrimonio per raggiro and Verdi's Rigoletto, Act IV, and features an interview with bass-baritone Nicola Moscona.

Lecture presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Lecture recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.