This thesis is an examination of the printed media in France (1955-1963), as represented by two mainstream newspapers: Le Monde (left-centrist) and Le Figaro (right-centrist). Using these newspapers, as well as Gallup polls recorded at the time, this study explores correlations of what was reported in newspapers and how French public opinion evolved during the course of the war. These two major sources of information are shown to have given contradictory information, thus accounting for some of the paradoxes found in public opinion polls. Specifically, the paradoxes analyzed in the study concern the Front de Libération Nationale (FLN) and the Pieds-Noirs (the European population of North Africa).

The Quebec of the Quiet Revolution invites a fascinating sociocultural study, and this analysis provides an overview of major changes there during the 1960s and 1970s. The author analyzes how artistic, literary, and musical contributions of the era reflected the public's sentiments toward this metamorphosis. References to political cartoons, plays, poetry, songs, and non-fiction works such as essays and manifestos illustrate attitudes toward the shifting role of the Catholic Church, the arrival of a Liberal government following an ultra-conservative administration, the feminist movement, economic and education reform, and the transformation of Quebec's identity through fierce debates over the status of French and English in the province. Policies enacted by Quebec Prime Ministers, especially Maurice Duplessis, Jean Lesage, and René Lévesque were pivotal to the emerging society. Events such as Vatican II, the publication of the Encyclical letter Humanae Vitae, and the efforts of Catholic Action revealed two concurrent strains of Catholicism present in Quebec and the extent to which the Church had become disconnected from society. This study examines major feminist aims within the historical and literary context and considers how collective efforts were critical to advancing their agenda. Ambitious economic measures enabled Quebec's francophone population to catch up to …

The primary purpose of this study is to demonstrate that the most consistent themes in the selected novels are love and happiness. The novels are: Bonjour tristesse, 1954; Un certain sourire, 1956; La chamade, 1965; Les merveilleux nuages, 1961; Un profil perdu, 1974; Aimez-vous Brahms, 1959; Le garde du coeur, 1968; and De guerre lasse, 1985. Sagan challanges her heroines, and her readers, to find happiness. Each of the heroines handles the individual search for love and happiness in her own specific way. Throughout the novels, love represents pain and suffering as Sagan describes the emptiness of life in modern society. Her works show the futility of love in a world preoccupied by superficial things.